In general, particular religious myths are accented by those within the particular tradition as being in some sense revelatory of the divine, whereas myths of other traditions are viewed as superstitious fairy tales without religious significance. For those who stand outside all religious traditions, myths are usually thought to represent a purely imaginary construction reveals construction which reveals something about the maker of the myth but nothing about the external universe. No matter how myths may be interpreted, religious traditions are dependent upon them for the propagation of the faith and a dramatic representation of divine attributes and demands.
A close look at it reveals that it is by no means a purely abstract construction consisting simply of a few iron poles welded together, but rather the spatial representation of a line drawing of a woman on a swing. The small, round metal plate has to be seen as the head and the oval shape underneath as her body. Her arms are protruding from it and pulling at the ropes of the swing, while her feet are pushing against the lower part of the swing.
The completely independent story of Nabal (chap. 25) reveals how David made his living and gained a wife. There are two versions of his taking refuge with King Achish of Gath (21 :11-16 and chap. 26) ; the second is well supported by what follows, and reveals David's skill in playing a double role. Achish plans to take him along on the campaign against Israel. Before that is related the independent story of Saul's visit to the witch of Endor is introduced—one of the most impressive Old Testament narratives (28:3-25).
In general, particular religious myths are accented by those within the particular tradition as being in some sense revelatory of the divine, whereas myths of other traditions are viewed as superstitious fairy tales without religious significance. For those who stand outside all religious traditions, myths are usually thought to represent a purely imaginary construction reveals construction which reveals something about the maker of the myth but nothing about the external universe. No matter how myths may be interpreted, religious traditions are dependent upon them for the propagation of the faith and a dramatic representation of divine attributes and demands.