|
 |
 |
|
Decorative Techniques: Decorative Processes. There are also various techniques of Decoration either peculiar to goldsmiths' work or commonly associated with it. On elaborate goldsmiths' work several techniques may be employed.
The chief decorative technique is repousse (embossed) work, in which ornamental motifs are raised on a metal surface with a hammer and punchers from the back. Repousse is usually found on hammered objects since it requires a fairly thin Wall of metal.
Gold and silver were apparently scarce, which may explain why many silver cups, bowls, and beakers were made of inner and outer sections that were soldered together to give an impression of great bulk and weight. Favorite T'ang decorative techniques included embossing and chasing. Much was borrowed from Sassanian art and translated into Chinese forms, but the traditional Chinese ornamental repertory of such motifs as dragons and phoenixes was also employed.
Although it is known that the gold- and silverwork of Southeast Asia was much influenced by India, hardly anything predating the 19th century survives. The Burmese regalia (about 1860) show superb accomplishment, and magnificent Ornaments were produced in Siam, Indochina, and Indonesia. Angkor and Champa also boasted splendid ritual vessels. Delicacy, not weight, characterizes Indian and Indian-influenced work, and embossing and chasing are the favorite decorative techniques. |
|
|
| |
|
|
|
|
